
Interview:
Noah Sow
"Germany is a developing country in terms of
racism"
By Erik Kambel
April 2008
She
tells it
like it is when it comes to racism. An interview
with the German Noah Sow about her new book 'Deutschland
Black & white. Everyday Racism'. She talks about her work as an anti-racism activist
and about herself as a singer in a punk rock band. And for young people, she has a clear
message too.
Noah Sow, born and raised in Bavaria Germany, is a
moderater in radio and TV shows. She is also a
radio
play writer, author, speaker and producer. As a
composer and singer she became well known with the
band "Noah Sow & The Heimlich Maneuver." In
2001, she founded the organization der braune mob,
the first anti-racist media watch dog in Germany.
Question: You founded the media watch
organisation 'Der braune mob'. What does the
organisation do?
Answer Noah Sow:
Der braune mob is Germany's first and as far as I know only
media watchdog that's concerned with issues of
discriminatory and politically incorrect language,
content or pictures, mainly in media and
advertising. Our focus lies on educating about what
public racial discrimination actually is. We have a
lot to do, as Germany is a developing
country in terms of racism. Most of the time the
newspapers don't even know that for example
referring to Obama as 'the coloured candidate' is
wrong, so when we write to them they argue a lot.
Plus, in Germany, the word racism is taboo. If you
accuse someone of having used a racist expression,
they will deny that it's racist even when the term the N-Word
is said.
When skinheads beat a Black guy into
a coma while calling him "N...r", in Germany the
whole thing is actually not considered a racist or
hate crime by the judge and the mass media. We have
many many cases like this happening. So the public
perception here is a little schizophrenic.
What does Der Braune mob mean?
'Brauner mob'
is often used in reference to Neo-Nazi hoards or
groups. So we thought we'd turn the colonizing of
group/movement names around and name ourselves 'der braune mob',
indicating that we are many, many people, and
showing some sense of
humour. The name's quite edgy, but it worked, we're
number one on German Google and the Nazis aren't.
Plus, the name inflicts questions and irritates.
You wrote the book Deutschland
Schwarz weiss - der alltägliche
Rassismus (Deutschland Black & white. Everyday Racism). When
did you decide you wanted to write the book. Was
there a special incident that triggered you?
To be honest, it wasn't my idea. A
literature agent who had seen me in I think the
documentary movie 'Black Deutschland'
asked me if I wouldn't want to write
some book about racism. At first I
didn't like the idea too much. I thought:
"I'm sure as hell not going to write my
autobiography or something." You have to
know that Germany's big publishing
companies usually 'allow' for those
topics almost exclusively in the form of
autobiographies with the word 'negro' in the
title. Or in the form of
victim stories, literature 'about Africa' or literature
written by white authors. |
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There are so many books about being black in
a
white society. What
makes this book special?
From a German perspective, I guess, there a not even
twenty books. However, my book isn't about being
black, it's a mix between humour, education, how racism was
'invented' and what it serves for.
It also about
structural racism, like in sports, government,
police and media. And its about modern and new racist strategies
and how to beat them, and also - what I thought was
very important - ideas how to help end racism, for
the future.
So it's not a book about being black. Actually it's
almost the opposite. It's about the role of
whiteness in perpetuating racism. Can be used for
self-medication. From the feedback so far, white
readers learned something new about themselves and
black readers had a good time with the humour
chapters, like
'List of stupid phrases we never want
to hear again - and according answers'.
In june 2005 the
German City Augsburg planned a African culture festival in a zoo. How could this
happen? Some Africans didn't see any harm in the event. So why did you?
I guess this is pretty clear. One point is,
the tradition of associating Africans with
wilderness, versus civilisation. The organisers also
wrote that they thought the zoo was "exactly the
right place" for African traders, and the zoo
director pointed out that if the idea of an 'African
village' in a zoo would be wrong, then "coloureds"
couldn't as well be "allowed" to "be seen at
sporting events.
Let's switch to
music. You are
punkrock
singer, but from a black perspective punkrock is
more 'white' music. How does this relate to your views
on black and white?
'White music' and
'Black music'? I
know what the industry is marketing but I'm also
musician and educated enough to know that "Black
music" is a pleonasm. Besides, you bet whenever I
open my mouth to sing, what comes out is Black music
by definition. Seriously, I'm not going to do any
pigeonholing or categorizing, just because this makes
things easier for some other folks.
I sing, compose and produce whatever I want to and
whatever feels good to me. I'm a singer and love
playing
punkrock and alternative.
I’m versatile though. I also have a quite different
side when I'm with
'Sisters',
a group of female Afro-German solo-artists. The girls
really make my soft side come out ... occasionally.
The punk thing is good for my nerves. The Sisters
thing is good for the heart.
Both are important for my soul.
What do you know about the Netherlands?
I know a lot of
German prejudices about the Netherlands: "they're
more democratic", "they're
so open-minded", "they're very progressive". But
I wouldn't know if that's
true or not.
Do you have message for people who want to start
a career in the media?
Don't think you know stuff or have the right to
judge or define or explain
something, just because you happen to have a
microphone and your place in an
editing room. If you really want to do journalism,
never talk about people,
have them talk instead. Don't ask "experts" about
youth. Ask the youth. And refuse to lie or "stretch
the truth" when your editor or station
ask you to. Because they will.
If you're not looking
to work in journalism but in entertainment: speak
for yourself only, and on behalf of yourself. Stay
yourself. Promote yourself.
For girls especially: Know your business and don't
take any bullshit from
people pretending to act in your interest, because
of course, they don't.
Rely on yourself. This will make it hard, maybe even
result in the opposite
of 'career', but after all you want to be able to
look at yourself and not
hate that spineless person. There's not all too many
people doing it like
this, but they will find and recognise you.
Then the fun begins. You'll be
in excellent company.
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